Quilt Show Winners

I've been delinquent in posting about the Smoky Mountain Quilt Show that took place recently on the Maryville College campus here in east Tennessee recently.

It's a pleasure to report that my three entries were each awarded ribbons.

"Lavender Haze" 31"x 30"

It won 2nd place in the special category for the Smoky Mountain Quilt Guild challenge pieces made for this year's AQS Guild Challenge. If our guild's entry is accepted, you'll see this one exhibited in Grand Rapids next August.

"Smoky Mountain Sunrise" 20"x 16"

It won 3rd place in the Art Quilt category. To see the beginnings of this piece as well as others that present variations of my favorite view in the Smokies go here.

 "Unraveled VII" 24"x 40"

This piece got one of the special award ribbons, the one for Innovative Design (its rosette designed by Tone Haugen-Cogburn). I pretty much knew this piece would be controversial ... and it was. I had entered it in the "Modern Quilt" category because it fit the requirements:

— An interpretative quilt using elements which are simple, yet sophisticated. This hybrid form may include: improvisational techniques; an emphasis on negative space; a minimalist approach; simple shapes, patterns and quilting designs; clear, crisp colors with white or gray neutrals; graphic or large scale prints and/or an abundance of solids; asymmetry.

I was aware the texture of this piece was not what the "modern quilt" movement expected. There was doubt expressed by several viewers that this piece was even quilted. Granted it has the look of a woven tapestry piece. However, there's quite a lot of stitching and all of it functions as quilting.

I'm especially pleased with how the length of yellow rick-rack worked in at the top. A piece of the raw silk stripped from the background fabric anchors the rick-rack by being carried across it and stitched back into the base fabric.

To read more about this piece scroll back a few posts. The first post was February 8th.

Hairy Mess Controlled

Trimming is a slow and rather deliberate process ... what to cut? where to cut it?

After two days of slow going I think this is it. The loose yarns are contained so the surface is no longer "wild and wooly" and controlled so there's a suggestion of the green triangle. Here's what was trimmed away...

I'm playing with the idea of this band across the top ...

It's a piece of large yellow rick-rack (found in one of the scrap bags given to me) interwoven with a piece of green suede. Not sure if it'll stay and if it does, if it will remain in one long piece. I'm still playing with the composition.

Big Hairy Mess

...of yarns sewn around the squares of silk.

Now to tame and control them into a balanced composition. This piece is entered in the "Modern Quilt" category of our upcoming quilt show, so the fringed surface of loose yarns will be much more contained and controlled than on the other art piece I made in this technique with the same materials.

Unraveled IV - 24" x 48"

Happy Valentine's Day!

Unraveled VII

This piece has been brewing in my head for quite some time. Finally, it's being realized in materials to be one of my entries in our guild's upcoming quilt show.

First, I laid out silk fabric samples on a background of raw silk to see the effect. I liked it! So I went digging for the disc shaped "beads" I bought in Colorado last summer. Seeing those discs in the bead shop is what sparked the idea for this...

Then I got serious about the arrangement of hues ... to create a diamond shaped focal point with the yellows, plus arranging the others in a loose progression of hues...

Then I determined that another row was needed to balance out the proportion of the design made with the silk squares to the size of the background...

This is part of the "unraveled" series ... meaning yarns are part of the surface design. I'm always on the lookout for the yarn made in Nepal from recycled silk saris. This past year I found the two that are hanging to the sides in the photo above.

The background silk tussah has batting and a backing of upholstery fabric attached with a minimum of machine quilting. The silk fabric samples were kept the size they were already cut and have been sewn to the sandwiched background. Each silk square is individually stuffed on the surface, then the disc bead is hand stitched in place with mono filament thread. The variegated green silk sari yarn is couched around the squares that reflect the diamond pattern made by the yellow ones.

Stay tune for the next step ... the variegated gray silk sari yarn will be stitched around the other silk squares to fill the surface ... I think.